SURFACE TENSION

I’m drawn to the tipping point between excess and release, how much we hold, how much we shed. Experiences, objects, assumptions: they gather, they press, they strain. In the work, this plays out through materiality. Glazes accumulate, react, and push against their own limits. The cracked skin becomes both barrier and invitation, revealing traces of what lies beneath and what once existed. It captures the moment just before rupture, that charged instant where transformation is inevitable, but not yet complete.

Blue Abyss, 2025
Blue abstract sculpture with a textured, cracked surface, displayed against a plain light background.
Close-up of a blue, cracked, textured sculpture or artwork with black and gold accents.
Close-up photo of blue and black cracked paint on a surface.
A black abstract sculpture with cracked texture, positioned against a plain white background.
Black, cracked, abstract sculpture with organic, flowing shapes on a white background.
Close-up of a black wooden sculpture with a fractured, textured surface.
Close-up of black, charred wood with cracked and peeling surface.
Ceramic sculpture with a textured crackled surface in white and blue, featuring abstract, intertwined, hollow shapes.
A tall sculpture made of interconnected, cracked ceramic loops with a white, blue, and yellow glaze, set against a plain light background.
Close-up of a ceramic sculpture with multiple hollow, irregularly shaped openings, featuring a crackled blue and white glaze with yellow accents.
Close-up of a textured ceramic sculpture with a crackled blue and white glaze, featuring a hollow circular opening.
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